2008

Out with the old; in with the new.

DECEMBER 08: e.postcard update

As always with these postcard images, click on it and it will open in your browser window at full size and you should be able to read it then. Well, at least if the issue is the size of the font. 

Too much time on my hands...

In the past year I have experienced "too busy" for a season here and there. When there is an end in sight, I don't mind it.

I  have also experienced "not busy enough" from time to time -- though this is more of a rarity. This past week I was there and, as counterintuitive as it may seem, when I am not busy enough, I don't take time to blog. 

Not that any of you have complained. 

All of this may change today. We'll see.

He Qi: Flight into Egypt

I've been reminded of a number of things about Jesus' early years lately (a natural thing this time of year, I suppose).

His mother was not yet married when He was born -- and while we know about the Holy Spirit and God's plan, the overwhelming majority of people in Mary's community (and family?) would have assumed the more obvious: Joseph or "some other man."

Jesus was born when Mary and Joseph were away from home -- in a borrowed space where the best option for a cradle was a manger. 

Before he was very old at all, Jesus traveled even farther away from home into Egypt -- a fugitive -- and lived there with his earthly family as refugees for a season.

We know that Joseph was still with the family when Jesus was 12 because we read about that incident at the temple, but there is no mention of him when Jesus is 30ish. We can assume that Jesus knew the sorrow of death in a very personal way.

While we don't know much about his childhood, we know enough to know that life was not easy for this boy growing up in Bethlehem-Egypt-Nazareth, a Jew in a land occupied by the Romans. And, unlike the rest of us who can blurt out "I didn't choose to be born into this family" or "I didn't choose to be born a citizen of this country" or "I didn't ask to be tall/short/smart/athletic/artistic/_______ or whatever else thing we are finding momentarily oppressive or restrictive or embarrassing -- Jesus did choose. 

Think of yourselves the way Christ Jesus thought of himself. He had equal status with God but didn't think so much of himself that he had to cling to the advantages of that status no matter what. Not at all. When the time came, he set aside the privileges of deity and took on the status of a slave, became human! Having become human, he stayed human. It was an incredibly humbling process. He didn't claim special privileges. Instead, he lived a selfless, obedient life and then died a selfless, obedient death—and the worst kind of death at that—a crucifixion.  (Philippians 2:5-8 The Message)

Nativty #17: A Painting from PNG

The Gospel of John proclaims that the Word (which was with God in the beginning and which in fact is God) became flesh and moved into the neighborhood. Two thousand years ago (give or take), Jesus took on the flesh of a Jewish boy and moved into a neighborhood in Nazareth.

After Jesus death and resurrection -- when he ascended into heaven -- he promised His followers that He would send the Holy Spirit to live IN them (and not just WITH them). That event initially happened at Pentecost. Today, the very Spirit of God lives within all those who have turned to God for salvation through Christ's work on the cross.  That means that God is still moving into neighborhoods all over this world.

In my neighborhood, He drives a Jeep and wears flip-flops and grills burgers on the patio. I talked to my friends (Mark and Charlene) this morning, and in their new neighborhood, He celebrates his birthday on January 7 instead of December 25 -- and He wears a lot more layers than in my neighborhood because it is cold there. 

There is a neighborhood in Papua New Guinea where Jesus eats yams and grubs. An artist in that community painted this nativity. While you and I know (and the artist may also know) that  a literal translation of the Nativity in art would surround the Baby with Jewish parents and sheep and goats and maybe a cow -- a more true translation has God moving into the culture of the artist. And yes, the Baby is surrounded by pigs and a rat and a cockatoo.

Today, I celebrate the One who moves into neighborhoods -- full of grace and truth -- and who invites us all to come Home with Him to the place He has prepared for us to be together.  

from a guy named Joe on flickr

May Newsletter
Originally uploaded by Joe Bollinger

I was doing some research for a project I'm working on and ran across a photographer named Joe Bolinger who has some great images posted. I found the photo he used in this newsletter and loved it...then found this and knew I wanted to share it. Be encouraged my friends. IMMANUEL is still arriving, in the flesh, in the midst of the common, the wicked, the sick and needy.

Nativity #16: Made in Peru

If we could see all of the lines that have been drawn between people, this globe would look like a ball of yarn. I'm usually hesitant to say that "all" people know something or have done something -- but I'm pretty sure that everyone has experiences this separation. For those of us who have landed on the powerful or privileged side of the line more often than not, we may not be as aware of the impact those lines, however. 

When we talk about languages, there is often a distinction drawn between "minority languages" and "languages of wider communication."  As an English speaker, I was born into a community that speaks not only the language of wider communication within my own country, but also one of the languages of wider communication in a global marketplace. 

Millions of people are born into communities where the language spoken in the home is not used in the world outside their small community. If they have access to education at all, it is most often in a language of wider communication -- English, Spanish, French, Farsi, Tagalog, Swahili, etc.

In Peru -- where this nativity was made -- the language of wider communication is Spanish. Historically, a person who does not speak Spanish is very limited in his ability to advance through systems of education since teachers require students to use that common language in the classroom. 

Language development programs which are necessary in order for Bible translation to be done almost always elevates the value of a "minority language" in the eyes of not only the speakers of that language, but also the governments of the nations in which that language is spoken. Somehow, when  a language is written, things begin to change. 

Wycliffe personnel have worked in Peru for over 40 years -- long enough to see the transformation that comes to people (individuals and communities) when they have God's Word available in their heart language and long enough to see the transformation that comes when their heart language is finally seen as an asset rather than a liability. 

Pali is a woman whose life has been transformed by God through the translation of His Word and the development of her language. Her story is found on Wycliffe's website.

Nativity #15: Simplicity

The person who made this nativity (which stands about 3" tall and is molded out of clay and then painted) has an artist's eye that allowed her to suggest greater things with some pretty simple shapes. I like that.

Often God uses really simple things in my life to suggest greater things -- deep things about Himself, for example.

Eight years ago on the second Sunday in December I wandered into the 1st and 2nd grade Sunday School class at Faith Church in Indy -- they were meeting in the middle classroom above the offices as they had been for years. It was a time when the kids were gathering and doing table activities before the lesson began.

I sat down on a small chair at the table closest to the door. We were drawing nativity scenes. The smell of the Crayola crayons and the repetition of coloring felt good in the middle of the Advent season. As you might imagine, these were pretty simple drawings. Along with those simple drawings were some pretty simple conversations. Delightful ones, but appropriately simple. 

As we colored and chatted, Ali Martin reached over and patted my knee gently and said, "Miss Ruth, I'm sorry about your mom." She meant it. 

Nine days earlier, we had buried my mom in a small cemetery in rural Zionsville. Such a simple conversation about some very deep things. I thanked her and then, as we continued coloring, I asked, "Ali. Do you know where my mom is right now?"

Her response was instant. This is something that did not take much thought for her -- it was either close enough to the surface that it came quickly or it so permeated her mind that it was easy. With great enthusiasm she replied, "She'd dancing in heaven with Jesus." 

In that moment we had the whole story. Immanuel: God with us. And, because of Him, we have the hope of an eternity with God. And not just any eternity -- one filled with dancing! 

Nativity #14: Can you say "Hobby Lobby"?

I love the way this nativity reflects light. It is probably  made of wood (best guess) and then covered over with some sort of metallic surface (silver-colored) and finally stained lightly.  You may be able to tell that the pieces are "flat" -- the base on each is about 1 inch by 2.5 inches.

While some of my nativity sets came to me from my Mom and others were purchased on some cool trip to a destination requiring a Passport and others were gifts, this nativity was a Hobby Lobby find when Dad and I were in Omaha, Nebraska for Thanksgiving a few years ago. 

Hobby Lobby is one of those stores that I'm not allowed to go into unless I have a clear plan that includes a budget -- they sell too many things that I impulse purchase too easily. Art and craft supplies. Cool stuff (like this nativity) to put on shelves and walls. Because there aren't any Hobby Lobby stores in Orlando, I also have to consider how much space I have in my suitcase, a restriction that often saves me from myself. 

Hobby Lobby. If you know about this store, you likely have an opinion about it. If you have one where you live and have never shopped there, you may still be aware of their holiday ads/messages. Beginning Easter Sunday, 1997, Hobby Lobby placed a full page message ad in all of the newspapers in which they advertise. The impact and relevancy of these messages is ongoing, and so they continue to make them available online in PDF format as well as links to the ministry Need Him and other helpful information. 

Though I've never met David Green, the founder and CEO of Hobby Lobby, I have met Mart, his son, who founded Mardel Christian supply stores and Ethnographic Media and Every Tribe Entertainment. I tell you that not to impress you (I know better) but to say that, from what I know, these messages at Christmas and Easter are not a sales gimmick. The Green family are literally "evangelicals" in that they choose to be ones who share Good News.

Nativity # 13: Stained Glass and Fresh Flowers

This stained glass nativity does not usually sit outside, but I didn't like the light in the house when I wanted to take the photo and it was perfect outside so I carried it out to the patio. 

Yes, I have flowers blooming (on my patio and in the garden) in December. The pink petunias and white pansies are lovely, as ever -- and the blue/purple smaller pansies are spectacular, aren't they? Wow. 

Soil...flowers...terra cotta pots.

This set was a gift a number of years ago, though I've lost track when, exactly. 

I love stained glass, though I've never owned much of it personally. 

Glass...light...stained glass art. 

Nativity #12: Dansk Crystal

I'm not sure when my love for "glass" started, but by the time I traveled to Scandinavia (Sweden, Norway and Denmark) with Bethel's Women's Choir (under the direction of Mary Fall) in June of 1983 I was well beyond interested. 

It was then that I became more interested in specific glass makers like Kosta Boda (Sweden). One of my favorite things from that glass maker (in the affordable category) are the snowball votive holders. But, I digress. 

This particular nativity set was made and sold by Dansk. You can tell, if you pay attention to such things, that I looked for a display location in the house where light was one of the main contributers. Most of the sets look best with light shining ON them -- this one needs light shining THROUGH it.

I want to be more like this set -- letting the Light shine through me instead of always wanting the light to shine on me. 

Christmas Greetings sent...

...to the staff of Wycliffe USA from the Executive Team.

Something in me wants to explain this, but I really don't think I need to do that. If you are a regular reader of this blog, you know enough about me to not be surprised that I thought this was a fun idea. If you are surprised that Bob, Russ and Chuck agreed to it with no hesitation at all -- then you don't know them as well as I do.

Nativity #11: With Poinsettias from Costa Rica

This small nativity conveniently folds flat. I have a Noah's Ark and a Last Supper scene also in this style/ medium. In my office I have the word WYCLIFFE in wooden letters with this colorful work on it too. I like that the adornment on the side walls are poinsettias.

Poinsettias are associated with Christmas in the States. I don't know if they are a Christmas flower in other parts of the world or not and I didn't Google that this morning. 

The first time I traveled to Costa Rica (my first time anywhere in Central America for that matter) I encountered the biggest poinsettias I'd ever seen They were trees and they were beautiful. But they messed with my head a little because those plants are generally only experienced where I'd lived my whole life in pots at Christmas. My grandma used to be able to keep any plant alive far longer than normal human beings and she's still have them around at Easter -- but most people quit watering them a few weeks after the tree comes down and they eventually end up in landfills.

I can tell you that living in Florida has changed that -- I take my Christmas poinsettias and repot them onto the patio for the winter to spring and , once they outgrow those pots, they go into the ground. I have a few of them in my garden. I even have a very small poinsettia tree in my garden that is deciding whether or not it wants to stay. I got it on deep clearance at Target last year. 

So, the poinsettias on this nativity may be there as Christmas adornment, but the also make sense in a place where those flowers grow and bloom with great enthusiasm. 

Nativity #9 & #10: Out of Africa

I purchased these two nativity sets in Nairobi, Kenya at a Masi market on a sunny Sunday afternoon. Heather and I had been to church with Dr. Chet and Dolores Wood at Nairobi Chapel and then out to lunch at one of their favorite Chinese establishments. Good memories, those.

The one to the right is made of a single block of wood. The sellers would have a tourist believe that the wood is mahogany -- and the coloring looks like the mahogany that we saw on occasion there -- but it is not. One of the wood experts we had with us (a guy who is a craftsman/builder) assures me that I did not purchase mahogany for only a few dollars. 

When I purchase sets as I travel (as I am known to do on occasion), I like them to be made from materials that are commonly available and typically used in that place. I also like the physical features to reflect the culture and ethnicity of the place. Jesus came--the Word became flesh and dwelled among us. As one of us. 

While technically I believe that Jesus was, as Scripture clearly indicates, a Jewish boy from Nazareth, I also believe that it is true to see Jesus as "one of us."  I'm not offended by blond-haired, blue eyed baby Jesus images within a blond-haired, blue eyed culture. However, I am offended (and embarrassed) when the blond-haired, blue eyed culture imposed that image on others as if it is the "right" one. 

The nativity below is made from barks and husks. I love the variety of textures and colors in it. Mary and the baby are depicted in a rather traditional way--her kneeling beside him in a manger. But the group of worshippers surrounding them is what makes this one another favorite. They are bringing their best. Shepherds bring livestock--the Masi know about livestock with their lovely herds of cattle and goats. Those who grow produce bring baskets of grain or vegetables. The fisherman brings some of the day's catch. And then there are the artists--the musicians play their music as a fitting expression of worship. 

What An African Woman Thinks: See What Conversations Social Media Have Wrought

What An African Woman Thinks: See What Conversations Social Media Have Wrought

Psalm 139: PART TWO

Where can I go from your Spirit?
Where can I flee from your presence?

If I go up to the heavens, you are there;
if I make my bed in the depths, you are there.

If I rise on the wings of the dawn,
if I settle on the far side of the sea,

even there your hand will guide me,
your right hand will hold me fast.

If I say, "Surely the darkness will hide me
and the light become night around me,"

even the darkness will not be dark to you;
the night will shine like the day,
for darkness is as light to you.

I remember being a little more than freaked out when I'd hear teachers going on and on about how God can see me all the time. He sees me when I'm sleeping, he knows when I'm awake. He knows if I've been bad or goo... wait, that's Santa.  

Anyhow, the concept of God's omnipresence is mostly abstract and a good bit invasive and feels almost stalker like when your concept of God is very incomplete. Going through a stage thinking that people are looking over my shoulder to criticize and catch me messing up, it was easy to project that on God. He is, after all, perfect.  Going through a stage of awkward self-loathing, it was easy to assume God's disappointment, if not repulsion, at what he sees.  Feeling unworthy and incapable, God's constant presence can be more of a reminder of what I lack rather than any sort of an encouragement.

As I grow in my understanding of God -- who he is and what he has done, what he says and how he works -- my response to his everywhere-ness has grown as well.

I love that when I'm on the top of the world and everything is working according to plan, God is in the midst of that. 

I love that when I'm sinking down into uncertain places either outwardly or inwardly, God is there. Billy Crockett has a song -- blues style -- that reminds me that when I find myself down in the mire and muck at the very bottom of life, Jesus is deeper still. 

I love that no matter how far ahead of myself or the day I try to get -- no matter if I rise with the sun or circle the globe in either direction -- no matter how far my influence stretches or how deep my impact digs, God is there. Further. Before. Wider and deeper. Always. 

I love that God not only meets me in the darkest places, he brings light to me there and shines that light until I can see it. Until I can see him. And, seeing him, I begin to understand that I am fully known by him. Amazing, that seeing me in his light -- fully exposed -- he does not turn away. He does not abandon me. 

God's promises to us (recorded in his Word) have great value. One of the ones that I love most is his promise to be with us -- always and forever. 

Psalm 139 (PART ONE)

LORD, you have searched me
and you know me.

You know when I sit and when I rise;

you perceive my thoughts from afar.

You discern my going out and my lying down;
you are familiar with all my ways.

Before a word is on my tongue
you know it completely, O LORD.

You hem me in—behind and before;
you have laid your hand upon me.

Such knowledge is too wonderful for me,
too lofty for me to attain.

In a recent conversation with a friend about "imposter's syndrome" I was reminded that most of us experience this fear of being identified as NOT what everyone has assumed us to be. "What if they find out that I'm not really as smart as they think I am?" or "What if they find out that I'm not really capable of doing this job that is far to important to leave in the hands of someone who is so incapable?" It goes something like that.

I have experienced this every time I've taken a new role. Sometimes the emotions that go with it are stronger than others and sometimes the voices take longer to silence (or at least back off to a manageable mummer in the background). Once you've experienced this often enough and had the conversations with others to know it's not uncommon, it is not so surprising when it comes with a new title or new portfolio or new assignment.

For me, it is less manageable when it swoops from behind a corner in the middle of a thing, unannounced and unpredictable.

The point of all this is not cathartic blog-therapy or a cry for affirmation because I'm in a funk (though I might not have seen this without having been metaphorically cut off in traffic by this shadowy uncertainty in recent days).

God knows me fully -- will never be surprised when the truth comes out about my opportunities for growth (weaknesses) or my unwise choices (sin). He knows what I do (and don't do) as well as what I think. All of the time.

Whether I intentionally run from him or am swept away by a strong current of self-doubt or popular opinion, He is there. He comes along for the ride, has my back, and--wherever I land--greets me upon arrival.

He knows that I'm going to say before I do. He knows when I'm going to let him speak truth and light through me and He knows when I'm going to verbally step in it and track it all over the carpet before realizing that I am the one who smells funny.

None of my best or worst (words, actions, attitudes, ideas) surprises him. He is not taken off guard. Not shocked. Oh, he is sometimes (often?) offended or hurt -- and the fact that my attitudes and words and thought can actually impact the God of the Universe who is Almighty and Holy is absolutely beyond my comprehension. And, truly amazing, nothing I do or say or think is beyond his redemption.

This really is too much.

When my feet are covered with dirt and dung, Jesus does not go running from the room until I can get things cleaned up and put in order and smelling fresh. He gets up from the table, puts a towel over his arm, takes a bucket of water and washes my feet. Then he sits back down at the table and offers me another slice of bread, another glass of wine - his eyes sparkling with joy and delight and unquenchable love.

Nativity #8: Palm Trees

This nativity was a gift from a friend - Christmas 2003. During the years Aileen lived in Orlando, she often joined me for part of the decorating ritual -- hanging ornaments on the tree and rummaging through boxes of this and that. I love that I not only have some sweet memories of Christmas seasons with her, but I have this nativity from her to spark that memory now that she has moved. 

I wish my point-and-shoot had the capacity to photograph this in it's preferred light -- with the two candles lit behind. The stark light of the flash does not do it justice. 

One of the things that will catch my attention with a nativity is when it's not the same as the hundreds you've seen before. (You know...a set of figurines where Jesus is in a manger, Joseph looks concerned, Mary looks mushy, two or three shepherds are scruffy - one kneels and one carries a sheep, three wise men look strangely like they planned their outfits and one of them also kneels; a cow, a camel, a sheep, a donkey. Each is a separate figure and they stand in a certain order all looking adoringly at Jesus.)

This one is made out of flat metal, cut and molded and shaped and then painted. Except for the faces/hands and Jesus. I'm glad there are palm trees in this one, too. It looks more like it belongs in Florida (a strange place to Christmas for one, like me, who lived for decades it the north where snow is a staple)

Nativity#7: Can you tell?

This soft-sculpture was made in Thailand. It includes Mary, Joseph, Baby Jesus in a manger and a Shepherd. It also includes a sheep/goat that resembles a dog and a camel. Or maybe the one I think looks like s shepherd is Joseph and the guy in green is a Wiseman from the east -- and the camel is his. Not sure. Can you tell?

Maybe one of you who lives or has lived in Thailand has insight into this "set" which seems atypical as a set. 

Nativity #6: Tom Clark

This set was given to me over the course of a couple-three years by various members of my family. I started with the Mary & Jesus figure and the Joseph figure and built from there. The next iteration of Mary and Joseph were quite different, and put Jesus in the manger as a separate piece. Very traditional, I suppose. I'm sure it's lovely (I've only seen photos). 

For me, it is Mary and Jesus that make this set really special. I think you'll agree.

Tom Clark is the artist. The originals are made from clay and then molds are cast. The material used to make these figures is a resin medium. The figures are painted and stained by hand (by a team of artists). The end result is one that gives the look of clay. 

As in most nativity sets that include the wise men (or kings), this set has three. Funny how we have decided that there must have been three of them because there are three gifts listed. Anyhow, I'm glad that in this set they exhibit at least a bit of ethnic difference.  

I suppose it is our tendency to make all the characters in the set to look "like us" that has made these characters often look so like the people they came to visit from afar. (And this is as good a time as any to note that I'm fully aware that these visitors likely came much later in chronology rather than on the night of Jesus' birth. Our pageants and nativity sets have taken a good bit of poetic license. Let's just own that and not worry about it too much. Can't we all just get along?!)

One of the characters in this set that makes me smile each year when I bring it out is the Inn Keeper -- really a fictional character based on assumption and tradition. We love to imagine this person with various personality quirks and attitude issues, from a cranky, overworked guy in a frenzy to a mild-mannered dote. I like that this man looks kind. Maybe he doesn't know that Jesus is Messiah, but he at least seems to appreciate the wonder of this new life and the love of this "newlywed" couple.

Nativity #5: "Ding Dong" Avon Calling

Some of you will recognize this as the nativity set that Avon sold a couple of decades ago. If you want one of these, I see that all of these pieces are available on ebay. Just a thought.

The one piece missing from this photo is the angel that is supposed to sit on the roof of the stable. I had it. May still have it somewhere waiting to be repaired. Hmmmm. Might have to look for that.

My mom used to purchase Avon with some regularity. When the Avon lady would come to the house, I always wanted to be in the room. I loved the idea of the Avon lady. In fact, I used to play Avon lady -- Mom would be the mom/customer and I would fill her train case with Avon from her dresser and the bathroom cupboard and would come to the door to sell it to her. One Avon lady we had gave me an order book with the carbon paper in it so I could be more official.

Simple Math

Starting a Bible translation program every 3 weeks meant that it would be 2150 or beyond before the last language communities were hearing the first portions of God's Word in a language they can understand well. At the turn of the 21st Century, at a time when many people were worrying about Y2K, leaders in the Bible translation movements were asking themselves some simple questions.

"Is this good enough?"

"Are we okay with this pace, knowing that it means a few more generations of people from thousands of language communities will enter eternity having never heard God speak (except, in some cases, as a foreigner)?"

"If we are not okay with this pace, can we do anything about it? Should we do anything about it?"

Simple math (the kind I can wrap my head around) shows that we'll need to start a translation program every 3 days in order to be entering the last languages in this generation -- by the year 2025.

In a few months we will be able to say that Vision 2025 (a vision to see Bible translation in progress in every language community needing one by the year 2025) is 10 years old. In that decade we have experienced the greatest acceleration of the pace of Bible translation that the Church has ever known, cutting off more than 100 years from the projected date for entering the last languages. New translation programs are starting at a pace of more than one per week.

While that is fantastic -- while we are celebrating all that God has accomplished in us, through us, and in spite of us -- Wycliffe is committed to ongoing acceleration. We continue to have a holy discontent and until God puts out that fire within us, we will keep doing what we know to do.

Pray continuously.

Love justice and mercy.

Walk in humble obedience to God and His Word.

Work hard - always giving credit to God for all He does.

Invite everyone to participate.

Get out of God's way.

HEBREWS 12: 1-3 (NLT)
Therefore, since we are surrounded by such a huge crowd of witnesses to the life of faith, let us strip off every weight that slows us down, especially the sin that so easily trips us up. And let us run with endurance the race God has set before us. We do this by keeping our eyes on Jesus, the champion who initiates and perfects our faith. Because of the joy awaiting him, he endured the cross, disregarding its shame. Now he is seated in the place of honor beside God’s throne. Think of all the hostility he endured from sinful people; then you won’t become weary and give up.

---------------------

The image above is of a painting by Hyatt Moore -- one of 18 that surrounded us through the Last Languages Celebration on November 22. It is titled Bangladesh Beauty. To see more of Hyatt's wonderful art, visit his website.

Nativity #4: Precious Moments and other "chains"

I do have a few sets that fit into the category that I'll call "chain" figurines. That is, they are the nativity figures from a long line of figurines. 

(Hopping onto a small soapbox.) 

These "collectables" are primarily marketed to a culture that generally has too much stuff.  Please don't think that I have any desire to cast judgement on anyone in particular - that would be so inappropriate considering the log in my own eye (ref. to Jesus as recorded in Matthew's Gospel). I just think that these kinds of things have become an easy option around gift-giving time.  Let's just own the fact that we have everything we need and - yes, even in a time of economic challenge - we can purchase many of the things we want. If you have "everything you need" and I want or feel obligated to give you a gift of some sort, I may be relieved to know that you collect something. I have been on both the giving and receiving end of these gifts. Lately, though, I've leaned away from such things. That does not mean that I purged my house of all collectables, as you are seeing with these photos. Neither does it mean that I think a person is inferior if they have a collection or two. I'm not sure what I mean entirely. 

(Hopping down from the soapbox.)

The first of these is my Precious Moments nativity. It is very small -- made of pewter and then painted. These figures are each about 1.5 inches tall. 

This second one is made by Hummel. My mom collected Hummels when I was young. I'm not sure  how much she liked them and how much she grew to like them because it was a thing that two of my dad's sisters collected (sort of). I now have a box of Hummels that I'd like to liquidate, but this is not an economy for selling figurines. My fondness for these is mostly generated by the way that they remind me of my Mom. When I was learning to help around the house by dusting, she taught how to treat these with appropriate care. I love that she didn't forbid me from touching these items but rather taught me how to be gentle.  This nativity by Hummel does not look much at all like the Hummel figurines, so that always confused me. 

The third is by Nao. He was the brother of Lladro who makes the more intricate, more expensive figurines by his name. Mom had a few of the Lladro -- but not the nativity set. It was outrageously expensive (and lovely).   

These are all sets that I have grown to like, primarily for nostalgic reasons I think. Christmas is a time for a bit of that, don't you think? 

Nativity #3: "...three things I love about this one."

1. Mary is holding baby Jesus. We've taken the statement that "Mary placed him in a manger because there was no room for them in the inn" and added all sorts of conjecture onto it. I'm sure she did, as it is recorded, place him in a manger to sleep -- but I'm also sure that she held him. A lot.

2. The cow. Actually, I like the cow and the goat and the two sheep. They look friendly. They don't look like they know this is their Creator who has just been born so much as they look like healthy, domesticated animals. 

3. Simplicity. I know that it has a folk-art feel to it and that's more the influence on the clothing, but I do like that even the angel is in patched and simple clothing. Jesus was born into a honorable family, but not a wealthy one from all we know. Joseph was a carpenter -- I suspect he worked hard, dealt fairly with people and was well suited to care for his family. I also suspect that they lived very simply. This set reminds me of that.